A decade evolved from their debut at 2003's New Orleans Jazz & Heritage Festival, Dumpstaphunk offers fans an unforgettable live experience steeped in the Big Easy tradition of a good time. The quintet features Ivan Neville on vocals, B3 and Clav, the double bass attack and soulful voices of Tony Hall and Nick Daniels III, Ian Neville on guitar, and the monster addition of Nikki Glaspie on drums and vocals.
From annual performances at New Orleans' Jazz Fest -- "The colossal low end and filthy grooves they threw down from the Gentilly Stage must have set a Jazz Fest record for baddest bass jams ever." (Bass Player Magazine, 2012) -- to music rooms and festivals across the nation (Bonnaroo, Wakarusa, All Good, High Sierra and beyond), Dumpstaphunk continues to spread an unmistakably New Orleans groove with hard-hitting performances that dare listeners not to move.
“We always keep the spontaneity going, that’s something I love about this band," says Ivan. “We can funk it out with the best of them, but we also like to showcase how all sorts of music can come together and push the boundaries of what funk music is."
Dumpstaphunk's summer 2013 release, Dirty Word, re-imagines their genre, holding true to the opinionated, vintage funk of Sly & the Family Stone and Parliament Funkadelic, but with a modern edge that forays into gospel, blues, second-line, R&B and straight-up rock n’ roll. True to New Orleans tradition, Dumpsta’s friends and family Troy "Trombone Shorty" Andrews, Rebirth Brass Band, Art Neville, Ani DiFranco, Skerik, the Groovelive horns and Flea of the Red Hot Chili Peppers kick the Dirty Word sessions up a notch.
"The whole record speaks to the righteousness of music. We’re not necessarily telling a specific story, but expressing how music makes things right for everyone in their own way. Our fans can feel that vibe and let it take them wherever they need to.”
“We just hope to spread the good word through funk," added Glaspie. "If we can create an escape, give people a reason to get down and forget their problems, then we're doing what we set out to do."
For tour dates and to download two songs from Dirty Word, visit www.dumpstaphunk.com.
The California Honeydrops’ music speaks not just to the heart and soul, but also to the body; people have no choice but to dance. Drawing heavily on Southern soul and Bay Area R&B with twist of New Orleans second-line street music, the Honeydrops defy genres. Their style may not have a name, but one thing is certain: The California Honeydrops don’t just play music. They throw parties.
To those who have seen the California Honeydrops and heard Lech Wierzynski sing and play it may come as a shock that the young frontman was born in Warsaw, Poland. The son of Polish political refugees raised in Chicago and Washington DC, Lech was exposed to wide range of musical influences. “When my dad was growing up in communist Poland in the 40’s and 50’s, old American music was illegal and therefore very cool,” he says. “He passed on the love of old stuff to me: everything from Louis Armstrong to Sam Cooke.”
Like his early influences, Lech has the unique ability to carry a tune casually, conversationally and powerfully as well. But the California Honeydrops are not just another throwback band. “My brother and I had to assimilate to modern American society,” Wierzynski explains, “so we loved all the popular stuff on the radio too, especially Hip-Hop, R&B. Knowing music was our way of proving we were American.” After studying ethno-musicology at Oberlin College, Wierzynski arrived in the Oakland California in 2004. There, he couldn’t help but to continue expanding his musical horizons. “At first,” he recalls, “I played mostly on the street, and then as I got more established I started playing a lot of blues and soul music in clubs and touring. There is a rich heritage of that music here in the Bay, and was lucky enough to play with a lot of older musicians who taught me what it was all about.”
When Lech was ready to combine all his influences into one cohesive sound, he formed the California Honeydrops. By the time the band put out its first tip jar, at an Oakland train station, Lech had already established himself in the Bay Area music scene. “I had gigs, I wasn’t starving,” he explains. “But I wanted to get back to how I started out, playing on the street with friends, having fun, and putting smiles on peoples faces.” With these goals in mind, the California Honeydrops were formed. “Things got going really fast,” remembers drummer and founding member Ben Malament. “People who had seen us on the street were offering us all kinds of gigs. Before we knew it we were a working band, playing clubs parties, and dances all over.” In just few years time this group of street performers would be selling out venues across California and bringing its infectious sound to festivals across the US and Europe.
With a background in West African and New Orleans drumming, Ben Malament has provided a funky rhythmic backdrop to Wierzynski’s soulful vocals and soaring trumpet playing since their subway busking days. The addition of saxophonist Johnny Bones brought to the band his influences from time working with Eddie Palmieri, Nell Carter, and Steve Lucky and the Rhumba Bums, to form the core of the group. Growing bigger and gathering steam, the Honeydrops have expanded from an acoustic street trio to a full band: piano and keyboards (Lorenzo Loera), electric bass (Beaumont Bradbury), and additional percussion round out their sound. Beyond the band’s shared musical vision remains a greater purpose: to make people dance, sing, and enjoy themselves.
The Iguanas are Rod Hodges, guitar/accordion/vocals, Joe Cabral, saxophone/bajo sexto/vocals, Rene Coman, bass, and Doug Garrison, drums.
Fiery anthems and tumultuous confessional songs punctuated with raw, inspired guitar.
Rich and glorious…Osborne possesses a voice that rises out of the darkness to the light of a soulful, tremulous wail. He is a consummate showman and shaman, bending successive moments to suit his majestic purposes. Osborne seeks an epic quality to much of his music, crafting layer upon layer of hugely scaled soundscapes.…never lazily derivative…every slashing guitar figure, every cry of a lyric, seems to come from an authentic place.
--New Orleans Times-Picayune
Between the potency of his richly detailed songwriting, his intensely emotional, soulful vocals and his piercing, expert guitar work, New Orleans’ Anders Osborne is a true musical treasure. He is among the most original and visionary musicians writing and performing today. Guitar Player calls him “the poet laureate of Louisiana’s fertile roots music scene.” New Orleans' Gambit Weekly recently honored Osborne as the Entertainer Of The Year. OffBeat named him the Crescent City’s Best Guitarist for the third year in a row, and the Best Songwriter for the second straight year. Osborne also won Song Of The Year for his composition, Louisiana Gold.
Since the release of his 2010 Alligator Records debut, American Patchwork, his 2012 follow-up, Black Eye Galaxy, and his critically acclaimed 2013 EP, Three Free Amigos, Osborne has earned hordes of new fans. He has toured virtually non-stop, either with his road-tested trio, as a solo artist, or as a guest with his countless musical admirers, including Toots and The Maytals, Stanton Moore, Derek Trucks, Warren Haynes, Keb Mo, The Grateful Dead’s Phil Lesh and Karl Denson’s Tiny Universe. He’s appeared on Galactic’s Ya-Ka-May album, and in 2011 produced and played on critically acclaimed albums by Tab Benoit, Johnny Sansone and Mike Zito.
Now Osborne delivers the next chapter of his spiritual odyssey, Peace. With the new CD, Osborne continues the journey started by American Patchwork and Black Eye Galaxy, emerging from a whirlwind of emotional chaos and moving toward a sense of inner peace. Recorded at Dockside Studios in Louisiana and produced by Osborne and Warren Riker, Peace looks at the title subject from all angles. Drawing strength and inspiration from his family and friends, Osborne created the most observational record of his career. According to Osborne, “Peace is light from darkness. The songs are written from the outside looking in. They are not making any judgments. I’m just stating facts. I’m writing from a brighter perspective. There’s less dusk and dark, and much more sunlight. The results are greater than I expected. The driving tones and sounds are free and natural. This is one of the coolest records I’ve ever made.”
Since his recording debut in 1989, Osborne has written virtually all of his own material and contributed memorable songs to a wide variety of artists. Two tunes co-written by Osborne appear on Keb Mo’s Grammy-winning 1999 release Slow Down. Country superstar Tim McGraw scored a #1 hit with Anders’ song Watch The Wind Blow By. Osborne’s compositions have been covered by artists as diverse as Brad Paisley, Tab Benoit, Jonny Lang and Kim Carnes. His songs have appeared in multiple feature films. He can also be seen performing in an episode of HBO’s New Orleans-based drama, Treme.
The Werks have quickly emerged as a national jamband powerhouse. As a result of their eclectic individual influences, The Werks produce a dance party that can be appreciated by a majority of musical tastes. Fusing the psychedelic shredding guitar and screaming organ of jam and classic rock with funk slap bass, synthesizers, and modern dance beats, The Werks are redefining the term "Jam Band" with the ability to cross genres from Psychedelic Rock to Funk to Electronica. Their unique style of performing is affected and manipulated by the energy of the audience, guaranteeing that each show will be different and memorable.
The success is largely credited to the hard work of their street team as well as to the dedication of the band, their fans and a unique performance.
The Werks have just released a 4th Album, The Werks (Self-Titled), to go along with "Dig It" (2007), "Synapse" (2009) and "The Werks Live at The Werk Out Music Festival" (2010). The band regularly tours the US and holds their annual music festival, entitled "The Werk Out Music and Arts Festival", each September.
Drums, Vocals, Samples
Cedric Burnside is the grandson of North Mississippi hill country blues legend, R.L. Burnside. He has won Blues Drummer of the Year three times. Cedric has teamed up with guitar virtuoso, Trenton Ayers, to create the Cedric Burnside Project.
The Cedric Burnside Project is the collaboration between Cedric Burnside and Trenton Ayers, both hailing from the hill country of North Mississippi. Cedric provides lead vocals, as well as guitar and drums. Trenton is CBP's lead guitar player and provides back-up vocals. The two come together to create a sound that is at once, both traditional blues and new-school funk.
For nearly three decades, legendary saxophonist Karl Denson has been getting crowds around the world out on the dance floor. Approaching iconic status, Denson has moved bodies and minds dating back to his earliest years with Lenny Kravitz's band through his ongoing tenure as a founding member of seminal boogaloo revivalists The Greyboy Allstars and his current roll as a member of San Diego dub rockers Slightly Stoopid. Nowhere, however, is this more apparent than with his own band, Karl Denson's Tiny Universe. Touring relentlessly for the past 15 years and leaving a massive audience in his wake, fans know that when KDTU is in town a dance party will ensue.
Karl Denson's Tiny Universe will release their new album New Ammo, out February 4, 2014.
Karl Denson's Tiny Universe Current Lineup Includes:
Karl Denson: Vocals, Sax & Flute
DJ Williams: Guitar
Chris Littlefield: Trumpet
Max MacVeety: Drums
Chris Stillwell: Bass
David Veith: Keyboards
An all night live music event during New Orleans Jazz Fest presented by Satisfied Productions. The 2014 Bayou Rendezvous will be held on Friday, 5/2/14.
Satisfied Productions Presents
during New Orleans Jazz Fest
The 12th Annual
Friday, May 2, 2014
The Howlin’ Wolf - New Orleans, LA
2 Stages:: 1 Ticket
9pm - Sunrise
907 South Peters
Tickets $30 in advance
2014 Bayou Rendezvous Line up:
The New Orleans All-Stars
The Pimps of Joytime
Raw Oyster Cult w/ special guest The Bonerama Horns
Hot 8 Brass Band
Good Enough For Good Times
Eric McFadden (artist at large)
Sunrise Breakfast Jam
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The New Mastersounds are a four-piece band based in Leeds, England, whose modern take on vintage soul-jazz, funk and rock draws influences from Jimmies McGriff, Smith, and Hendrix, as well as their most closely-associated mentors, The Meters. Try to imagine Grant Green and Lou Donaldson having a fight in a Hammond Organ shop while James Brown holds the coats, and you have some idea of what to expect from this band.
Their first single, One Note Brown, was released on Blow It Hard Records in 2000 and was passionately championed by acclaimed Northern Soul and funk DJ Keb Darge. To date, the band has released four studio records: 102%, This Is What We Do, Be Yourself, Keb Darge Presents… as well as The New Mastersounds Re::Mixed, and Live At La Cova. Also of note: their single, “Your Love Is Mine” featuring Corinne Bailey Rae, was used in the 2007 Warner Brothers movie Feast of Love.
Having toured throughout Europe, Japan and the USA, the NMS have earned global recognition as a key band in the ‘New Funk’ scene. But purists beware: their unique blend of funk, rock, soul and dance music is hard to sum up and doesn’t fit neatly into any one genre.
Headed soon to a city near you, The New Mastersounds deliver gritty grooves and deep rhythms in clubs, theater venues and festivals alike. Their live shows will get you up dancing and hold you there intoxicated by the funk until last call- when you’ll stagger home, sweaty and exhausted, on a wave of euphoria.
Led by guitarist and producer Eddie Roberts, The New Mastersounds feature Joe Tatton on Hammond, Pete Shand on bass and Simon Allen on drums.
Founded in late 2010, Polyrhythmics was formed by Ben Bloom and Grant Schroff, who quickly gathered some of the most talented and highly sought-after performers in the North West to record an EP. Using primitive gear, and a “live, all in one -room”, low-budget recording technique, the band captured magic, the very 1st time the record button was pushed. The resulting 6 song EP became a cult classic and quickly sold out at shows. Highlights such as “Pink Wasabi”, and “Klompton” have since been re-released on 7 inch 45 by Electric Cowbell Records and Kept Records and are also sold-out.
In June of 2011, using crowd-sourced funds, the band released their first full length “Labrador”, and enjoyed immediate attention by such domestic tastemakers as DJ Prestige, Dusty Groove America and Fat Beats Records, and Internationally by Juno Records in the UK, Paris DJ’s in France and Jet Set Records in Japan. The 1st run of Cd’s quickly sold-out at shows, and the 1st single “The Imposter” was picked up and released by Kept Records on 7 inch in November of 2011 and enjoyed immediate success on radio stations far and wide, including KEXP. Shortly after the release, Polyrhythmics was named best band in Seattle, by Seattle Magazine in late Nov of 2011.
In Dec of 2011, Polyrhythmics signed with the prestigious booking agency, In The Pocket Artists Inc. and began touring the West Coast in early 2012 with a fever and a vigor not usually seen with a band this size. From the very 1st tour, the buzz about the band started to spread, and funk fans looking to get down Hard showed up in droves throughout the winter and early spring. Their non-stop, “leave it all on the stage”, 3+ hrs shows, slamming arrangements, top-notch musicianship and absolute command of their ethos, earned the band coveted spots at String Cheese Incident’s “Horning’s” Festival, the 2012 Summer Meltdown, The Eugene Celebration, NW Folk life Festival, The Black Sheep Families, “Furthermore” party, and the Hangtown Halloween Ball.
As 2013 begins, Polyrhythmics are ready to unleash their music to the world. With live repertoire of over 60 Original compositions, a new 7inch dropping on Kept records in Feb, and a full-length album to follow in the spring, the band is firing on all cylinders. Taking the experiences of a 3-year brotherhood, the Polyrhythmics are just hitting their stride, writing and arranging some of the best material yet and setting their sites on the world stage.
Members of the Polyrhythmics have performed with: Allen Stone, Blackalicious, String Cheese Incident, Karl Densen’s Tiny Universe, The Motet, Sam Bush, Jerry Joseph and the Jackmormans, Railroad Earth, Monophonics, Orgone, Choklate, Pickwick, Fishbone and more..
Polyrhythmics are :
Ben Bloom: Guitars
Grant Schroff: Drums
Nathan Spicer: Keys
Lalo Bello: Percussion
Jason Gray: Bass
Scott Morning: Trumpet
Elijah Clark : Trombone
Art Brown: Sax and Flute